In The Art of The novel Mulan Kundera makes observations that enraged comments regarding the values of literature of echo of Charles Baudelaire in 19th century Europe. A bitter Baudelaire wrote: "France has gone through a period of andsailedcalmlyon." Paris: Centre of stupidity radiating in all directions. Despite the Moliere B?ranger, nobody would never have assumed that the France take the road of progress as a rate. Questions of art: terrae as well. "According to Kundera, forged by science specialization has managed to reduce the man to a mere machine; a thoughtless pawn, manipulated by the masters of the industry who have forgotten the true meaning of life.
For three hundred years, the novel has been the vehicle used to probe "experience of humanity in this modern world complex." The novel has filled the role formerly held by religion and classical literature: its objective is to "discover the different dimensions of the existence" which are inaccessible to the Science (or any other literary form). Therefore, as the science of philosophical and religious systems displaced the medieval world, and major to be (the "" dimension of depth"") were threatened by scientific rationalism, the novel has emerged to check abuse of a "unilateral nature of European science.
Kundera considers Cervantes, the father of the novel. The character of Cervantes, Don Quixote, settled on a chivalrous adventure in the hope of offering the world of evil and win the love of his beautiful dream Lady Dulcinea. His courtly notions of battle and love, however, prove delusions. The reality of the world has changed (or was deformed by the authors that inspired the search for the Quixotes); experience hardly has subsequently imaginative experiences provided after a life of reading of medieval tales of romance. But, despite the world, misperceptions of Don Quixote and his ridiculous failures, it can also be seen as a hero. Quixote takes on an imaginary vision of reality that is romantic, stimulating and invigorating dry facts even when empirical seem to refute this view.
Cervantes dogmatic does not drive if Don Quixote is a fool or a hero; It might be at the time; It could be or. It might be something completely different that anyone has assumed. For human beings human and human experiences, challenge the narrow classifications. The novel, Kundera says, allows the reader to examine how consistent ideas, or conflict, with experience. But the novel not to judge this experience as judges of science or religion - with a single, unswerving, limited interpretation. Instead, the novel opens the world of human and the fresh new human truths disco situations and opportunities.
Kundera considers that the novel is rejected by modern culture. Science has once more the power to exclude humans of "life-world". Kundera laments, the "man has now become a simple thing the forces (or technology, political or historical). "Private" of the will and the ability of deep understanding, complex truths to be humans choose to accept simple stereotypes perpetuated by the media. Later pop-culture science and threaten the human Kingdom or domination of silly (and dogmatic) assessments of the complex world of humans and the legacy of Cervantes is depreciated and "the world of life" is forgotten.
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